• 11/16/22 - Exclusive Unreleased Tracks from Brainiac To Be Released in January 2023
• 01/09/19 - Limited Edition Brainiac Vinyl Reissues Available March 8, 2019
• 05/04/06 - Hundreds of new photos uploaded.

• 02/09/23 - Albert Hall - Manchester,
• 02/10/23 - Albert Hall - Manchester,
• 02/11/23 - O2 Academy Leeds - Leeds,
• 02/12/23 - Sage Gateshead - Gateshead,
• 02/13/23 - Stereo - Glasgow,
• 02/14/23 - Rock City - Nottingham,
• 02/15/23 - The Forum - Bath,
• 02/16/23 - Cardiff University Great Hall - Cardiff,
• 02/17/23 - Brighton Dome - Brighton,
• 02/18/23 - Corn Exchange - Cambridge,
• 02/19/23 - O2 Institute Birmingham - Birmingham,
• 02/20/23 - Moth Club - London,
• 02/24/23 - Brightside - Dayton,

• Go Freaks Go from Internationale ( 1.7mb)
• 1 AM A CRACK3D MACHIN3 from Hissing Prigs in Static Couture ( 3.1mb)
• Fresh New Eyes from Electro-Shock for President ( 1.6mb)

RSD Drop June 12, 2021 EXCLUSIVE

* Limited Edition Black Vinyl 2xLP of Unreleased Demos packaged in a full-color gatefold jacket with printed innersleeves with never before seen photos and words by John Schmersal.

* 1500 Copies Worldwide

The music of Brainiac ended with the death of frontman Tim Taylor in 1997. Offered here is a glimpse into the working mind of Taylor as he susses out tunes and sound experiments in their rawest form, mostly alone with a four track in his mother's attic. Some are mere sketches. Many never again saw the light of day - or morphed so much they are more like distant cousins of future songs. Some of the more interesting Brainiac songs, like Fucking With The Altimeter, Silver Iodine, or Strung, were elevated from the original four and eight track demos later in the studio environment. Attic Tapes serves as a blue print for how these types of tunes developed. The entire program is stitched together like a distorted dream. Jumping from one scene to the next, it progresses through all four sides in a historically linear fashion, from the very early days through to the final rehearsals.

While this is not an official Brainiac album, it begins to feel akin to what a Brainiac record might sound like if it were produced by neighbor and Guided by Voices raconteur Robert Pollard.  Inside the release are some historically related liner notes written by guitarist John Schmersal giving further insight into the origins and backdrop of the demos and the time they were created.